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Visual Verse April 26, 2016

Hello, and welcome to a later edition of Media Monday on Tuesday! Not all stories are narratives, and not all narratives are stories (think of dreams, for example).  In this engrossing work by Francisco, can you tell which kind it is? Travel down the rabbit hole and offer an interpretation for this rich procession of images. It’s all there.

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Of A Tribe Called Quest March 29, 2016

[vimeo 160779252 w=700]

Hello and Welcome again to Media Monday on Tuesday! I hope this Spring day finds you well. Today’s short film by Francisco is a tribute to the influential and much-loved hip hop band, A Tribe Called Quest. Formed in 1985, the group became extremely popular for their more positive and playful lyrics, rhythms, and nods to all kinds of music in their songs. A Tribe Called Quest released five albums before disbanding in 1998. Since then, however, they have come together several times to tour.

Sadly, on March 22, 2016, one of the members, Phife Dawg, passed away from complications of diabetes, aged only 45. This film reflects on both him and on the most unusual band of its time and genre of which he was a part.

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Coming on Wednesday – F For Franco! February 21, 2016

Happy Sunday, everyone! The festival is getting into full swing now, and runs through the coming week with well over one hundred films being screened in all genres. Our film, F For Franco, will screen on Wednesday, February 24th. Each day, I will be posting some material to give a sense of the visual journey the viewer will enjoy in watching F For Franco. Here is a short film to get you started:

[youtube https://www.youtube.com/watch?v=_3MCgmbSH8U&w=700&rel=0]

You can purchase tickets here: http://www.laemmle.com/theaters/4/2016-02-24#get-tickets

Hope to see you there, enjoy the rest of your weekend! 🙂

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Confusion of the Creative Crisis February 17, 2016

“I think they’re trying to save him,” says one of the agents in the movie, The Matrix. ‘They’ are Neo and Trinity, and ‘him’ is their friend and leader Morpheus, and with this line, we are ushered into a rooftop battle and famous helicopter scene, where the big, powerful gun destroys the office where Morpheus is being held. You might ask, what does this scene have in common with Fellini’s 8 1/2? How can they be compared? There’s possibly nothing to connect them, but in this short “mashup”, Francisco takes a look and adds a third layer of creative confusion into the mix. I have my thoughts – what do you think? Could a tangible connection be made between these two things? Is every aspect of a film based on a conscious decision for a certain effect, or are some done on a whim? And why juxtapose these two things together? That’s the fun (if fun it can ever be) of the Creative Crisis. Enjoy!

[youtube https://www.youtube.com/watch?v=IqYSbRYIo04&w=700&rel=0]

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More Film Festival Fun with F For Franco February 6, 2016

Hello! It’s Saturday, and CF has some exciting news to share – F For Franco is returning to LA to participate in the Hollywood Reel Independent Film Festival in just a couple of weeks. It opens on February 18th (our film screens on the 24th), and we’ve been nominated for Best Documentary! It looks to be a fun time, and we’d love to see anyone reading this and in the area to come and watch our film. I’ll be posting more material here as the festival approaches, stay tuned! Here are some stills taken straight from the film for you. Have a wonderful day!

Screen Shot 2016-01-23 at 3.10.53 PM

Screen Shot 2016-01-28 at 5.20.24 AM

JF_FFF(1)

FJRCAR1

Cemetery(1)

stumbler

StudioFrancisco

Seth_Evan

JF(3)

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When Sculpture En”light”ened Rock Concerts January 26, 2016

Happy Media Monday on Tuesday! I think it’s fair to say that throughout the ages, as the notion of what is art has become more and more expansive, the idea of sculpture has remained rather steady, in our minds if not in strict definition. It’s an object you see in a museum, in a park, in a house. A static prop used in a theatrical production, not part of the production itself. And yet, as far back as 1924, sculpture began to embrace movement, light, and sound, and it brought new life to many kinds of performance, including the rock concert, carving out a new future for itself. In this short film, Francisco takes us on a journey through the evolution of sculpture as it relates to performance. Enjoy!

[youtube https://www.youtube.com/watch?v=7mQ-Vp1jHg0&w=700&rel=0]

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After Elmyr de Hory… A New Film November 23, 2015

check this out

Happy Media Monday! CF is pleased to announce a new film project, once again tapping into Orson Welles’ genius. In the early 1970’s, Welles travelled to Ibiza, a small island in Spain. He was making a film to eventually be called F For Fake, involving a number of fakers, from to Elmyr de Hory – widely regarded as the best art forger of our time – to his biographer Clifford Irving (himself a fake), to Orson Welles himself. The film is a masterpiece of film editing, and in the middle of the chaos is young twenty-something Mark Forgy. Mark lived with Elmyr as friend, protégé, and assistant for years, up until his death in 1976. Elmyr bequeathed his collection of paintings to Mark, who brought them back to the U.S.

Earlier this year, Francisco reached out to Mark Forgy, and the two began an instant friendship and exchange of ideas about Elmyr and art. From these emails and phone conversations, an idea for a film project emerged – one that goes beyond F For Fake to examine the complications of Welles’ film, the art market, and the work of Elmyr, overlaying these questions in a kind of fugue. Indeed, the story of Elmyr is still relevant and popular, as people have begun to produce fake fakes, which they purport were executed by Elmyr.

Seeing how tangled this web is, we at CF were happy to begin filming this project in October in MN, when Francisco was at Winona State University giving a talk on film, which included discussion of F For Franco and led into F For Fake. This short film gives you a brief intro to F For Fake, Orson, Mark, and Elmyr. Enjoy!

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LA, MN, and a New Adventure October 22, 2015

Hello! It’s Thoughtful Thursday, and we have some catching up to do. I was perusing the Hollywood Film Festival website to do some Wikipedia updating, and discovered this photo on our film’s page from the red carpet event the night of F For Franco’s screening. Francisco and I are with the festival’s independently-minded directors Brad Parks and Rod Beaudoin:

HFFPic

When the festival was over, we flew out to Winona,MN – it was my first trip to the Midwest that is Minnesota, and it was beautiful. We were in a small rural town, and the leaves were just changing their colors:

WinonaLeaves

WinonaLookout

We were there, as the last post indicated, for Francisco to give a class lecture and an evening presentation to usher in a new, interdisciplinary Digital Humanities department at Winona State University, at the invitation of Miguel Elizalde, another former student of his at RISD, now an Assistant Professor at WSU. Naturally, the class and the presentation focused on new media art and film. The students and those attending the lecture were able to watch some sections of F For Franco as part of a discussion on the creative possibilities of film when one doesn’t limit oneself to one particular structure, form, or technique. Experimentation with ideas, form, and visual representation are the ways to move art and film forward, and avant-garde doesn’t have to mean inaccessible or boring. One needs only to be a little quiet and attentive and give the film or artwork a chance to wash over you. Having recently watched 2001:A Space Odyssey for the first time – if ever a film asked for some patience…! 🙂

F For Franco takes its inspiration from the title of Orson Welles’ masterful piece of film editing in F For Fake. This film discusses three fakers, really – Elmyr de Hory, the greatest art forger of the 20th century, Clifford Irving, his ‘biographer’, and Welles himself. Elmyr lived for a time on the island of Ibiza, and in the late 1960’s a young man travelling through Europe named Mark Forgy became Elmyr’s friend and assistant up until Elmyr’s death. Francisco reached out to Mark, and in one of those events that only seem to be real in novels or films, we were able to meet him and his wife before the lecture at WSU, and return with them to their home in New Prague to begin filming a new project. More on that later (soon!). Here is a photo of Francisco and Mark discussing how Mark came to be in F For Fake, with the film version of Mark in the background:

Fjr_MF_MF

The new project deserves its own post, but what a three-week adventure!Take care!

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Enter: Digital Humanities at WSU October 8, 2015

It’s Thoughtful Thursday, and finds us in Winona, MN. Francisco is speaking at Winona State University at the invitation of another former student of his at RISD, Miguel Elizalde, a member of the faculty at WSU. Miguel and professors from other disciplines are working together to create an interdisciplinary program called Digital Humanities. Francisco will teach a class in the afternoon to film students – discussing Orson Welles’ F For Fake and our own F for Franco, and present in the evening. The campus is beautiful, and ready to launch a new department!

FJR_WSU

FJR_WSU2

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Hollywood, FFF, and Many Thanks to the Festival October 7, 2015

Hello and Happy Tuesday to you! It’s so strange that two weeks ago today, the Hollywood Film Festival, held at the ArcLight Cinemas, got under way. It was a new era for the festival, looking to change HFF’s direction, to let great films and little-known filmmakers have a chance to show their work. This article from the LA Times discusses the vision of Brad Parks and Rod Beaudoin for the Hollywood Film Festival:

Our film screened on Thursday night, with an introduction before and spontaneous Q & A after the film by Francisco; a few days later, Neon Tommy – a large, student-run news organization that is part of USC-Annenberg (http://www.neontommy.com/annenberg-digital-news.html), gave F For Franco this review:
https://medium.com/neon-tommy/film-review-f-for-franco-ac92640b0fa6

The festival was a wonderful experience (speaking from New England experience,the weather was fantastic for late September!), and we at CF thank Brad, Rod, the HFF team, and Linda Brown for realizing their mission to “Incite, Inspire, Inform” the Future of Hollywood! I believe our film embodies all three.

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